week 1
Week 2
week 3
Week 4
week 5
WEEk 6
week 7
Week 8
week 9
week 11
Week 12
week 13
Week 14
week 15
week 16
Spring break
ostrich

visualizing research and performance

 

 

 

 

 

 

SCHEDULE
Class email

 

DATE
TOPIC
Readings/Due Dates
creative activity
Week 1
Jan 15

 

Introductions. Art and the idea

 

Week 2 Jan 22
Visual Culture and the Pictorial Turn
  1. Evans, Jessica and Hall, Stuart (1999). “What is Visual Culture?” in J. Evans and S. Hall (Eds.), Visual Culture: The Reader (pp. 1-8). London: Sage Publications.
  2. Kress, Gunther (2006).  Reading Images:  The Grammar of Visual Design.  New York:  Routledge.  (Ch. 1:  The Semiotic Landscape:  Language and Visual Communication).
  3. Hill, Charles A. and Helmers, Marguerite (2004).  Defining Visual Rhetorics.  Mahwah, NJ:  Lawrence Erlbaum Associates. (pp. ix-61).
  4. Mitchell, W.J. Thomas (1994).  Picture Theory:  Essays on Verbal and Visual Representation.  (pp. 11-16) Chicago : University of Chicago Press.
  5. Socrates On the Impact of Writing, (as recorded by Plato in Phaedrus).
  6. Stephens, M. By Means of the Visible: A Picture's Worth." The Rise of the Image, the Fall of the Word. New York. Oxford University Press, 1998. (pp. 58-69)

JING, Screen Mimic, PPT, PPT VIDEO + NARRATION; GOOGLE SITES, GOOGLE SLIDES; PHOTOSHOP

TRY WEB ACCOUNT

Week 2 Questions

week 3
Jan 29

Interpreting the Visual I:  Looking;

Digital Expression

starting at 8:40-until 38:45

  1. Berger, John (1990). Ways of Seeing: Based on the BBC Television Series (Paperback) New York: Penguin (DISTRIBUTED IN CLASS)
  2. Lanham, Richard (2006). Preface, and "Stuff and Fluff." The Economics of Attention: Style and Substance in the Age of Information (pp. xi-41).  Chicago:  University of Chicago Press.
  3. Lanham, Richard (2006). "What's Next for Text". The Economics of Attention. Chicago: University of Chicago Press.
  4. SUPPLEMENTAL: LaGrandeur, Kevin (2005). Digital Images and Classical Persuasion.  In Mary E. Hocks and Michelle R. Kendrick (Eds.), Eloquent Images: Word and Image in the Age of New Media.  Boston:  MIT Press.

WEB DESIGN;  PPT FOR THE WEB, Google docs

Week 3 Questions (to choose from)

week 4

Feb 5

Visual Grammar

kuler

 

  1. Rice, Jenny Edbauer, (2008, December). Rhetoric’s Mechanics: Retooling the Equipment of Writing Production, CCC 60:2, pp. 366-387.
  2. Faigley, L., George, D., Palchick, A., Selfe, C. (2003). Picturing Texts (pp. 22-55).  New York:  W.W. Norton & Company.
  3. Berdan, R. (2004, January 20). Composition and the Elements of Visual Design. [Online].
  4. Fabos, B. (Forthcoming). Visual Literacy (DRAFT) to appear in Media IN Society. New York: Bedford St. Martin's Press.

VISUAL AESTHETICS & VIDEO

Week 4 Questions

week 5
Feb 12

Considering Photography

  1. Barthes, Roland (1982). Camera Lucida: Reflections on Photography (Part 1). New York, Hill and Wang. (BARTHES IS CONSIDERED THE patron saint of visual cultural studies)
  2. Berger, John (1992). “Uses Of Photography.” About Looking, New York: Pantheon Books, 27-63.
  3. Kotchemidova, Christina (2005) 'Why We Say "Cheese":Producing the Smile in Snapshot Photography', Critical Studies in Media Communication, 22(1), pp. 2–25. 
  4. NoCaptionNEeded

WEB DESIGN  PPT FOR THE WEB, GOOGLE SITES, MOONFRUIT, iLIFE

Photography NOW

Visual Rhetoric Paper Assigned

Week 5 Questions

week 6
feb 19
Digital Reproduction and Photographic truth
  1. Benjamin, Walter (1936).  Art in the Age of Mechanical Reproduction.
  2. Horkheimer, Max and Adorno, Theodor (1944). The Culture Industry: Enlightenment as Mass Deception. Excerpt from Dialectic of Enlightenment: Philosophical Fragments (pp. 94-136).
  3. Sontag, Susan (2001). "In Plato's Cave." On Photography (pp. 3-24).  New York: Picador.

SCANNING; Interactive slideshows: Soundslides, Gallerybook, Simple Viewer, GOOGLE SLIDES, Flickr

Week 6 Questions

week 7
Feb 26
Interpreting the Visual II: Context
  1. ONE OF THESE Harriman/Lucaites articles (choose):
    Harriman Robert and Lucaites, John L. (2002, November). Performing Civic Identity:  The Iconic Photograph of the Flag Raising on Iwo JimaQuarterly Journal of Speech 88(4): 363-392. OR
    Harriman Robert and Lucaites, John L. (2003, March).  Public Identity and Collective Memory in U.S. Iconic Photography:  The Image of “Accidental Napalm.”  Critical Studies in Media Communication, 20(1): 35-66.
  2. Finnegan, Cara A. (2004).  Doing Rhetorical History of the Visual: The Photograph and the Archive.  In C. Hill and M. Helmers (Eds.), Defining Visual Rhetorics (195-214).  Mahwah, NJ:  Lawrence Erlbaum Associates.
  3. Olson, Lester C. (2007).  Intellectual and Conceptual Resources for Visual Rhetoric:  A Re-examination of Scholarship Since 1950.  Review of Communication, 7(1), pp. 1-20.

FLASH ANIMATION

Gif ANIMATION

Week 7 Questions

week 8
mar 5

Networked Public Sphere and Copyright

 

WEEK 8 slides
  1. Benkler, Yochai (2006). The Wealth of Networks: How Social Production Transforms Markets and Freedom. New Haven: Yale University Press. First chapter only! Ch. 1: Introduction: A Moment of Opportunity and Challenge.
  2. Lessig (2005).  “Mere Copyists.” Free Culture.  New York:  Penguin. (pp. 31-47).
  3. Mcleod, Kembrew (2005).  Freedom of Expression, New York:  Doubleday. Download the PDF from the URL provided (1/2 way down the page) pp. 1-113 only!!

WEB DESIGN DW & CSS

Week 8 Questions

 

week 9
Mar 12
  1. Center for Social Media (2008, January).  Recut, Reframe, Recycle: Quoting Copyrighted Material in User-Generated Video.  Washington, D.C.:  School of Communication, American University.
  2. Center for Social Media (2005, November 18).  Documentary Filmmakers’ Statement of Best Practices in Fair Use. Washington, D.C.:  School of Communication, American University.

DOWNLOADING, IMPORTING, AND EDITING VIDEO

No paper due this week

 

week 11
Mar 26
Visualizing Performance

 

UPLOADING VIDEO ON THE WEB—YOUTUBE; VIMEO; VIDEO IN FLASH, VIDEO STREAMING; AFTER EFFECTS, mini projector Pico, mini projector MPro110

After Effects

Second life

Week 11 Questions

week 12
Apr 2

Data Visualization

  1. Tufte, E. The Visual Display of Quantitative Information (Ch. 1).
  2. Kostelnick, Charles (2004).  Melting-Pot Ideology, Modernist Aesthetics, and the Emergence of Graphical Conventions:  The Statistical Atlases of the United States, 1874-1925. In C. Hill and M. Helmers (Eds.), Defining Visual Rhetorics (215-242).  Mahwah, NJ:  Lawrence Erlbaum Associates.

VISUALIZATION TOOLS

Visual Rhetoric Paper DUE

Week 12 Questions

Famous Visualizations

Edward Tufte

week 13
apr 9

google

  1. Fabos, B. (2006). Search Engine Anatomy: The Industry and its Commercial Structure. In (Cushla Kapitske and Chip Bruce, Eds.), Libr@ries: Changing Information Space and Practices. Mahwah, NJ: Lawrence Erlbaum Associates.
  2. Book Publishers Take Leap to Digital
  3. Why the Google settlement matters to you

SKETCHUP, GAPMINDER, GOOGLE IMAGES

Week 13 Questions

week 14
Apr 16

Libraries, Digital Archiving, and the Commons

 

  1. Bollier, David (2004, April 18).  Reclaiming the American Commons:  Remarks by David Bollier.  Sirsi SuperConference 2004 St. Louis. 
  2. Hafner: Libraries Shun Deals to Place Books on Web
  3. Anderson: Checking Out Tomorrow’s Library
  4. Grafton: Future Reading
  5. Jesella: A hipper crowd of sushers
  6. (PERUSE) Our Common Commonwealth (2006).  The Report of the American Council of Learned Societies Commission on Cyberinfrastructure for the Humanities and Social Sciences.  American Council of Learned Societies.

SEARCHING DIGITAL ARCHIVES

Week 14 Questions

 

week 15
Apr 23 GATHER TO WORK ON CREATIVE PROJECTS

NO READINGS

 
week 16
Apr 30
PRESENTATIONS
Research/Performance Visualization DUE
EXAM WEEK
 

 

COURSE INFO

ASSIGNMENTS

  • Weekly 2 page reading syntheses (DUE at the beginning of each class). Each paper is worth 5 points and of the 11 papers students can choose not to do one. (10 x 5 = 50)
  • 5-7 page Visual Rhetoric paper (Due March 12) Worth 25 points.
  • Research or Performance Visualization (Due April 30) Worth 25 points.

 

ATTENDANCE POLICY

As noted in the UNI Catalog, “Students are expected to attend class, and the responsibility for attending class rests with the student. Students are expected to learn and observe the attendance rules established by each instructor for each course. Instructors will help students to make up work whenever the student has to be absent for good cause; this matter lies between the instructor and student. Whenever possible, a student should notify the instructor in advance of circumstances which prevent class attendance.” (http://www.uni.edu/catalog/acadreg.shtml#attendance)

Attendance will be recorded for this course, and all unexcused absences will figure into the final grade. Attendance will also factor in the Participation part of the students’ grade.
A note on missing classes: If students miss class for a reason other than severe illness or other extenuating circumstances, it is NOT the instructor’s responsibility to re-teach material to students during office hours. Students missing class are responsible for making up all class instruction and activities and for finding out from peers what they missed.

ACADEMIC MISCONDUCT

Plagiarism, cheating, improperly sourced work, and other academic misconduct will not be tolerated. The UNI Catalog is clear on this: “Students at the University of Northern Iowa are required to observe the commonly-accepted standards of academic honesty and integrity. Except in those instances in which group work is specifically authorized by the instructor of the class, no work which is not solely the student's is to be submitted to a professor in the form of an examination paper, a term paper, class project, research project, or thesis project. Cheating of any kind on examinations and/or plagiarism of papers or projects is strictly prohibited. Also unacceptable are the purchase of papers from commercial sources, using a single paper to meet the requirement of more than one class (except in instances authorized and considered appropriate by the professors of the two classes), and submission of a term paper or project completed by any individual other than the student submitting the work. Students are cautioned that plagiarism is defined as the process of stealing or passing off as one's own the ideas or words of another, or presenting as one's own an idea or product which is derived from an existing source.” See the UNI Catalog for full details.

Disability Services
The Americans with Disabilities Act of 1990 (ADA) provides protection from illegal discrimination for qualified individuals with disabilities. Students requesting instructional accommodations due to disabilities must arrange for such accommodation through the Office of Disability Services. The ODS is located at 103 Student Health Center, phone number: 273-2676.
Academic Learning Center's Free Assistance with Writing, Math, Reading and Learning Strategies
The Writing Center offers one-on-one writing assistence open to all UNI undergraduate and graduate students. Writing Assistants offer strategies for getting started, citing and documenting, and editing your work. Visit the Online Writing Guide and schedule an appointment at 008 ITTC or 319-273-2361.
The Math Center offers individual and small-group tutorials especially helpful for students in Liberal Arts Core math courses. No appointment is necessary, but contact the Math Center at 008 ITTC or 319-273-2361 to make certain a tutor will be available at a time convenient for you.
The Reading and Learning Center provides an Ask-a-Tutor program, consultations with the reading specialist, and free, four-week, non-credit courses in Speed Reading, Effective Study Strategies, PPST-Reading and -Math, and GRE-Quantitative and Verbal. Visit this website and 008 ITTC or call 319-273-2361