Back to Studies in Medievalism
Medievalism and Nationalism in Nineteenth-Century Germany;David E. Barclay, 5-22
The Prussian Royal House and Pictorial Representations of the Nibelung Saga;Gerd-H. Zuchold, 23-37
Medievalism in German Romantic Art: Reading the Political Text in the Gothic Style; Hilary Braysmith, 38-47
Nazi Medievalist Art and the Politics of Memory;Lisbet Koerner, 48-75
Medievalism as Modernism: Alfred Andersch's Nominalist Littérature Engagée; Richard J. Utz, 76-91
The Economic Decline and Reinfeudation of the State of Milan in the Seventeenth Century; Thomas Barbiero, 92-100
Medievalism and Science in the Tuscany of the Last Medici; Michael Lavin, 101-114
Celluloid Criticism: Pasolini's Contribution to a Chaucerian Debate;Carol L. Robinson, 115-126
Eco on Medievalism; Domenico Pietropaolo, 127-138
Medieval Nostalgia in France, 1750-1789: The Gothic Imaginary at the End of the Old Regime; Roland Bonnel, 139-163
Ideology and Utopianism in the Medievalism of Louis de Bonald; W. Jay Reedy, 164-175
(Re)Creating a Medieval Parade: La Fête historique in Douai; Jesse D. Hurlbut, 176-182
Modern Approaches and the "Real" Middle Ages: Bertrand Tavernier's La Passion Beatrice; Laurence de Looze, 183-199
Spain's Medievalist Project in the New World; Theresa Ann Sears, 200-208
Medievalism in Serbian Painting of the Nineteenth Century; Ljubica D. Popovich, 209-224
Kazantzakis: Dante's Translator and Rhapsodist; Andreas K. Poulakidas, 225-238
Notes on contributors, 239-241