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Executive Vice President and Provost

Center for Holocaust and Genocide Education: Auditions for "Necessary Targets"

The Center for Holocaust and Genocide Education (CHGE) will hold auditions for two staged readings of Eve Ensler's play, Necessary Targets. Auditions are open to students, facutly, staff and members of the Waterloo-Cedar Falls community. No experience is necessary. Scripts will be provided at auditions. Roles available include seven adult women and one narrator.

Necessary Targets is set in the aftermath of the Bosnian War. In the play, two American women, a therapist and a writer. visit Bosnia to help women survivors cope with the trauma of sexual violence and genocide. The play raises questions about the ethics of telling and documenting stories about such trauma. 

220 East After-Work: Northern Iowa Brass Quartet

The College of Humanities, Arts and Sciences presents 220east After-Work, a partnership between CHAS, Cedar Valley Chamber Music, JSA Development and Main Street Waterloo. Look forward to your Wednesday evenings by joining Cedar Valley Chamber Music for our 2014 concert series at 220east. UNI faculty and students, WCF Symphony guest soloists and special guests highlight eleven week of concerts at a unique venue. Doors open at 5 p.m.; concerts are 5:15-6 p.m. Admission is free; good will donations accepted. Complimentary wine at all concerts is provided in partnership with CU restaurant. 

Center for Holocaust and Genocide Education: Auditions for "Necessary Targets"

The Center for Holocaust and Genocide Education (CHGE) will hold auditions for two staged readings of Eve Ensler's play, Necessary Targets. Auditions are open to students, facutly, staff and members of the Waterloo-Cedar Falls community. No experience is necessary. Scripts will be provided at auditions. Roles available include seven adult women and one narrator.

Necessary Targets is set in the aftermath of the Bosnian War. In the play, two American women, a therapist and a writer. visit Bosnia to help women survivors cope with the trauma of sexual violence and genocide. The play raises questions about the ethics of telling and documenting stories about such trauma. 

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