Rebecca Dunham
(319) 277-7694
Department of English
206 Baker Hall
(319) 273-2639
Current Position:
Assistant Professor of
Creative Writing, Department of English Language and Literature,
Previous Position:
Jay C. and Ruth Halls
Fellow in Poetry, Wisconsin Institute for Creative Writing, University of
Wisconsin, Madison, WI. 2005-2006.
Education:
Ph.D. in English (creative
dissertation in poetry),
Primary
Area: Twentieth-Century American Literature
Secondary Area: American Long Poem and
Poetic Sequence
M.F.A. Creative Writing,
M.A. English and Writing,
B.A. English,
Awards:
National
Endowment for the Arts Literature Fellowship in Poetry, 2007
MacDowell Colony residency,
Summer Fellowship
Recipient,
Finalist,
Aviary, Wisconsin Press’s Brittingham Prize and Felix Pollak
Prize.
T.S.
Eliot Prize for Poetry,
Finalist, Richard Peterson
Poetry Prize, Crab Orchard Review,
2005 and 2006.
Nominee, Pushcart Prize, 2005
and 2006.
Creative Writing Fellow,
University of Missouri-Columbia, 2001-2005.
D.R. Francis Fellow, University
of Missouri-Columbia, 2001-2002.
Outstanding Graduate Student
Award,
Mary Roberts Rinehart Prize,
So to Speak Poetry Contest Prize-Winner, 1999.
Jacaranda International
Poetry Competition Prize-Winner, 1996.
Bucknell Seminar for Younger Poets
Fellow,
Publications:
Books:
The
Miniature Room (book of poems),
Under review: Aviary
(book of poems),
At various
presses.
Finalist
in Wisconsin Press’s 2006 Brittingham Prize and Felix
Pollak Prize.
Finalist
in Tupelo Press’s 2006 July Open Reading Period.
Individual
Poems:
“Flora Londinensis” and “Coulomb’s
Law,” West Branch (accepted).
“Mary Wollstonecraft in Flight,”
Borderlands (accepted).
“Curator of Fruit,” Poetry Daily, January 5, 2007.
“Aviary” and “The Flight Cage,”
“Oubliette,” North
American Review (accepted).
“Sarah Good, Imprisoned,” The Iowa Review (accepted).
“Terra Incognita” and “Reading a Biography of Akhmatova at 30,000 Feet,” Crab Orchard Review
(accepted).
“Ergot Theory,” Field 75, Fall 2006.
“Mrs. Stevens,” The
“Ghazal in Minium,”
“The Eye,”
“Phial” and “Extremity,” Crazyhorse 69, Spring 2006.
“A Leaf, A Hare,” AGNI 63.
“A Leaf, A Hare” also on Verse
Daily, January 23, 2007.
“The Soap Bubble,”
“Putting Him to Bed,” Sycamore Review 18 (1), Winter/Spring 2006.
“End Note,” Phoebe
35 (1), Spring 2006.
“Ontology of the
Miniature Room” and “God Measuring the World with a Compass,” Crab Orchard Review 11 (1),
Winter/Spring 2006.
“Ontology of the
Miniature Room” also on Verse Daily,
May 12, 2006.
“Summer,”
“Self-Portrait as Miniature,” The
“Box Series,”
“Yard Elegy,” American
Literary Review, Fall 2005.
“Oxidation,”
North American Review 290 (5), Sept./Oct. 2005.
“Letter
to My Love, on Autumn’s First Hard Frost,” Mid-American Review 26(1), 2006.
“Tableau,”
Blackbird 4 (2), Fall
2005, http://www.blackbird.vcu.edu/v4n2/poetry/dunham_r/.
“Harem of Saint Marcia,”
“Elegy I Do Not Want to Write,” Borderlands:
“The Oval Window” and “Poem in
the Manner of Frida Kahlo,”
Analecta 31, 2005.
“Chardin
to His Subject,” “Still Life,” and “Detail,” Elixir 5(1), 2005.
“Wittgenstein’s Carpet,”
“Two Photographs”
and “Letter-Elegy,”
“Black Frost,” Dogwood
5, Spring 2005.
“St. Anne to Her Daughter,” Gulf Coast 17(2), Summer/Fall 2005.
“Sunday Dinner at
“The Tempest,” “Galileo’s
Daughter,” and “Catherine Blake,” Beloit
Poetry Journal 55(3), 2005.
“Catherine Blake” also on Verse
Daily, March 4, 2005.
“Toast of the Terrarium,”
“Antidote,” “Trompe
l’oeil,” and “The Eighth Sense,” Elixir 3, 2003.
“Dear André,” Delmar
9, 2003.
“Black Out,” Poet
Lore 96(4), Winter 2001-2002.
“Rite of Spring,”
“Corner of 2nd and Elm,”
“Lake Effect” and “El Terremoto
de Oaxaca,”Poet Lore 95(1), Spring
2000.
“Last Call,” So
to Speak 9(2), Fall/Winter 1999.
“Night Ferry,” The
“Other Women’s Babies” and “Double-Cross,” So to Speak 9(1), Spring 1999.
“The Drowned” and “Letter From
My Brother,” Phoebe 28(1), Spring
1999.
“Memory,” Iris
37, Spring/Summer 1998.
“Early
Morning at Our Beach House,” “The Silver Saddle,” and “Widower at
“Late Dinner, June,” Jacaranda 11, Spring 1996.
“Fish Chowder,” Sycamore Review 7(2), Summer 1995.
Reviews:
Review of The
Clerk’s Tale by Spencer Reese (2004), The
Missouri Review 27(3), Fall 2004.
Review of The Cuckoo by
Peter Streckfus (2004), The
Review of Isolato by
Larissa Szporluk (2000) and Erotikon by Susan Mitchell
(2000), Phoebe, 30(1), Spring 2001.
Essays:
“In the Dark, Here in the Dark,”
TMR Online, November 2, 2004.
“Community Out of the Corner of
Your Eye,” TMR Online, July 29, 2004.
“Bringing
New Concepts of Authorship to the Introductory Literature Classroom,” e-matters, Fall 2000.
Current
Projects:
Matchsticks: a chapbook of poems that investigates the dynamics
of gender, race, and power within the structure of total institutions,
specifically as the Jonestown tragedy of 1978
“A Conversation with Nadine Sabra Meyer”: an interview with the author of The Anatomy Theater (2006).
“The
Well-Researched Urn: Poetry in an Electronic Age”: a craft and creative writing
pedagogy essay.
Prairie
Lights,
University
of Missouri-Columbia Reading Series,
Radio Interview and
University of Wisconsin Glass Bookcase
Reading Series, English Department, Madison, WI, November 6, 2006.
Final Thursday Reading Series,
Legacy
Reading Series,
Teaching Experience:
College
Introduction to Literature (Modernist Literature).
Beginning Poetry Writing.
Advanced Poetry Workshop (graduate and undergraduate students).
Craft
of Poetry (graduate and undergraduate students).
Beginning Creative Writing (poetry and fiction).
Intermediate Poetry Writing.
Exposition and Argumentation.
Beginning Poetry Writing.
Intermediate
Poetry Writing (2 semesters).
Composition.
Composition
(linked to Introduction to Psychology).
Texts
and Contexts: Women in Literature.
Introduction to Creative Writing.
Introduction
to Poetry Writing (prerequisite: English 396).
Beginning Poetry Writing.
Composition.
Introduction to Literature.
Areas of Teaching Interest:
Poetry
and Poetics; Craft of Poetry; Modernism (American and British); American
Literature 1865-present; Twentieth-Century American Poetry; American Women Writers; American Long Poem
and Poetic Sequence; The Lyric; Creative Writing Pedagogy; and Literature of
Witness.
Academic
Service:
Assistant Editor, North American Review, University of Northern Iowa, 2006-2007.
Coordinator, “Emerging Writers Reading Series,”
University of Northern Iowa, 2006-2007.
Co-Facilitator,
“Post-MA in English Job Workshop,”
November 27, 2006.
Faculty
Advisor, Graduate Reading Series, University of Northern Iowa, 2006-2007.
Faculty Advisor, Sigma Tau
Delta, University of Northern Iowa, 2006-2007.
Member, Women’s and Gender Studies Advisory Board,
Member,
Ad-Hoc Graduate Faculty Committee on Comprehensive Exams, University of
Northern
Visiting
Writer,
Judge, Joseph A. Lohman
III Poetry Prize,
Judge, Selina Terry
Poetry Award,
Member, Writer’s Committee, English Department,
University of Wisconsin, 2005-2006.
Preliminary Judge, Brittingham
and Pollak Prizes in Poetry,
Preliminary
Judge, Larry Levis Poetry Prize, The
Professional
Experience:
Assistant
Editor, North American Review, Fall 2006-present.
Senior
Poetry Staff, The
Poetry Editor, Center, Center for the Literary Arts, English Department,
University of Missouri-Columbia, 2002-2003.
Editor-in-Chief and Poetry Editor,
Phoebe, Fairfax, VA, 1999-2001.
Managing
Editor, The Comparatist,
Fairfax, VA, 1998-1999.
Copy and Wire Editor,